kintsugi Archives - Kroon Gallery https://kroongallery.com/product-category/kintsugi/ Tournez votre maison dans un palais Wed, 07 Jan 2026 13:43:46 +0000 en-US hourly 1 https://wordpress.org/?v=6.9 The Resilliant Satsuma – by Patrick Bergsma https://kroongallery.com/product/the-resilliant-satsuma-by-patrick-bergsma/ Wed, 07 Jan 2026 13:40:13 +0000 https://kroongallery.com/?post_type=product&p=3017 Kintsugi (Satsuma vase)
80 x 75 x 80 cm
Coconut fibre, polymers, Kaolin and quarts
Original Piece

The Expanding China Series by Patrick Bergsma

In the expanding China series, I picked up my fascination for chinaware again. Our human culture has a long history making and decorating ceramics and porcelain. The shiny surface of it is a perfect contrast with the natural elements in my work. I developed my own techniques to make bonsai trees and flowers using coconut fibre, polymers, kaolin and quarts. I combine the ancient Asian arts of Ikebana, bonsai, and penjing with antique porcelain. In Holland there is a long tradition of influence by the East. What we call typically Dutch like Delft blue was originally an attempt to imitate the very popular porcelain imported from China and Japan. In this series I often use these 17th century “imitations”, combined with the natural elements like bonsai and ikebana. In japan there is a tradition to repair broken porcelain with golden glue called kintsugi. According to the philosophy it treats breakage and repair as part of the history of an object, rather than something to disguise. In these works, it is as if the natural elements reshape these old cultural remains from our civilization.

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]]> Green and blue – by Annemarie Zybrandy https://kroongallery.com/product/green-and-blue-by-annemarie-zybrandy/ Wed, 16 Jul 2025 12:34:29 +0000 https://kroongallery.com/?post_type=product&p=2960 Artisan handmade vase (kintsugi) made from various broken vases, contains o.a. real Delfish Blue

26 x 28 cm.

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]]> Blue and silver shine – by Annemarie Zybrandy https://kroongallery.com/product/blue-and-silver-shine-by-annemarie-zybrandy/ Wed, 16 Jul 2025 12:30:57 +0000 https://kroongallery.com/?post_type=product&p=2957 Artisan handmade vase (kintsugi) made from various broken vases, contains o.a. real Delfish Blue

30 x 28 x 28 cm.

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]]> White light blue and gold vase – by Annemarie Zybrandy https://kroongallery.com/product/white-light-blue-and-gold-vase-by-annemarie-zybrandy/ Tue, 08 Jul 2025 07:25:38 +0000 https://kroongallery.com/?post_type=product&p=2943 Artisan handmade vase (kintsugi) made from various broken vases, contains o.a. real Delfish Blue

40 x 28 x 28 cm.

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]]> Blue blue and gold vase – by Annemarie Zybrandy https://kroongallery.com/product/blue-blue-and-gold-vase-by-annemarie-zybrandy/ Tue, 08 Jul 2025 07:25:26 +0000 https://kroongallery.com/?post_type=product&p=2938 Artisan handmade vase (kintsugi) made from various broken vases, contains o.a. real Delfish Blue

40 x 28 x 28 cm.

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]]> Medusa – by Jonas Leriche (all sizes) https://kroongallery.com/product/medusa-by-jonas-leriche-all-sizes/ Sun, 26 Jan 2025 10:30:06 +0000 https://kroongallery.com/?post_type=product&p=2833

Medusa

Year

2017

Finishing

HD Finish, mounted in floating frame.

Size

Luxurious

130 x 190 cm ( 51,18 x 74,80 inch ) frame included
EDITION - 7 + 3 AP

Majestic

90 x 130 cm ( 35,43 x 51,18 inch ) frame included
EDITION - 12

Subtile

70 x 100 cm ( 27,56 x 39,37 inch ) frame included

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]]> Kiss of Delft – by Jonas Leriche (all sizes) https://kroongallery.com/product/kiss-of-delft-by-jonas-leriche-all-sizes/ Sun, 26 Jan 2025 10:16:01 +0000 https://kroongallery.com/?post_type=product&p=2823

Kiss of Delft

Year

2018

Finishing

HD Finish, mounted in floating frame.

Size

Luxurious

130 x 190 cm ( 51,18 x 74,80 inch ) frame included
EDITION - 7 + 3 AP

Majestic

90 x 130 cm ( 35,43 x 51,18 inch ) frame included
EDITION - 12

Subtile

70 x 100 cm ( 27,56 x 39,37 inch ) frame included
EDITION - 18

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]]> Art Nouveau – by Jonas Leriche (all sizes) https://kroongallery.com/product/art-nouveau-by-jonas-leriche-all-sizes/ Sun, 26 Jan 2025 10:10:47 +0000 https://kroongallery.com/?post_type=product&p=2815

Art Nouveau

Year

2018

Finishing

HD Finish, mounted in floating frame.

Size

Luxurious

130 x 190 cm ( 51,18 x 74,80 inch ) frame included
EDITION - 7 + 3 AP

Majestic

90 x 130 cm ( 35,43 x 51,18 inch ) frame included
EDITION - 12

Subtile

70 x 100 cm ( 27,56 x 39,37 inch ) frame included
EDITION - 18

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]]> Equilibrium – by Jonas Leriche (all sizes) https://kroongallery.com/product/equilibrium-by-jonas-leriche-all-sizes/ Sun, 26 Jan 2025 10:09:41 +0000 https://kroongallery.com/?post_type=product&p=2805

Equilibrium - Fine arts print

Year

2022

Finishing

HD Finish, mounted in floating frame.

Size

Luxurious

130 x 190 cm ( 51,18 x 74,80 inch ) frame included
EDITION - 9 + 3 AP

Majestic

90 x 130 cm ( 35,43 x 51,18 inch ) frame included
EDITION - 12

Subtile

70 x 100 cm ( 27,56 x 39,37 inch ) frame included
EDITION - 18

JONAS LERICHE

Born in Belgium in 1976, Jonas Leriche spent ten years working as a fashion photographer before making the decision to move to New York and focus exclusively on his artistic practice. An early career in fashion enabled Leriche to develop his photography skills but spending day after day in an industry dominated by superficiality and social media posturing, left him with little enthusiasm. The experience did, however, entirely inform his approach to the practice of making art.

Leriche consciously seeks out the juxtaposition between what is artificial and what is authentic, rendering artworks that encourage the viewer to identify this duality. The driving force behind Leriche’s work is his desire to inject raw, natural elements into a flawless, cultivated image in order to challenge those viewers who are unaccustomed to scratching any deeper than the surface.

Leriche’s photographs are explosively emotional and striking in composition – a direct result of the fact that Leriche meticulously “constructs” each, layer by layer by layer. A single photoshoot typically requires a week of 18-hour days, due to the elaborate design and direction, not to mention Leriche’s unparalleled attention to detail.

Leriche’s newest collection of sculptures entitled, “Vanity Skulls,” is evocative of his photography and yet specifically created to explore the transience of life, the futility of pleasure and the certainty of death. Each sculpture seeks to contrast symbols of wealth with symbols of ephemerality and death.

Leriche’s silkscreen print editions are an homage of sorts to his sculptures – a realization of the “Vanity Skull” in a completely different way, utilizing diamond dust, gold and silver leaf, iridescence and a myriad of colors.

Leriche’s artworks have been exhibited at Art Miami, Context, Scope and Art Wynwood. He has had solo exhibitions in New York City, Dubai, Saint Petersburg Russia and in Antwerp Belgium

“What matters to me is the transformation of emotions and intentional or subconscious ideas into gripping images. Each piece tells a story and the stories I create go far beyond the individual or anecdotal. My aim is not merely to create an aesthetically appealing artwork but to create something larger than life.”

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]]> Blues in acid – by Patrick Bersma https://kroongallery.com/product/blues-in-acid-by-patrick-bersma/ Sat, 23 Dec 2023 15:25:25 +0000 https://kroongallery.com/?post_type=product&p=2600 "Blues on acid"
50 x 35 x 23
€3000
Oude handgeschilderde Delftsblauwe vazen en mixed media
Coconut fibre, polymers, Kaolin and quarts
Original Piece

The Expanding China Series by Patrick Bergsma

In the expanding China series, I picked up my fascination for chinaware again. Our human culture has a long history making and decorating ceramics and porcelain. The shiny surface of it is a perfect contrast with the natural elements in my work. I developed my own techniques to make bonsai trees and flowers using coconut fibre, polymers, kaolin and quarts. I combine the ancient Asian arts of Ikebana, bonsai, and penjing with antique porcelain. In Holland there is a long tradition of influence by the East. What we call typically Dutch like Delft blue was originally an attempt to imitate the very popular porcelain imported from China and Japan. In this series I often use these 17th century “imitations”, combined with the natural elements like bonsai and ikebana. In japan there is a tradition to repair broken porcelain with golden glue called kintsugi. According to the philosophy it treats breakage and repair as part of the history of an object, rather than something to disguise. In these works, it is as if the natural elements reshape these old cultural remains from our civilization.

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